Week 10 - Protomeshing - 'D' Stage

Wireframe

Ambient Occlusion

Fountain UV's 

Tri Count: 2480

Chair UV's 

Tri Count: 796

Arch UV's 

Tri Count: 3584

Table UV's

Tri Count: 4008

Double Door's UV's

Tri Count: 2228

Bush Branches UV's

Tri Count: 1352

Doric Column UV's

Tri Count: 1280

Results from Stage 'D' for Common Art. I UV'd eight objects and retopologized them to be game ready. After working on all the models, I updated them in Unreal Engine from where I initially had my proxy models. Proof of submission under source file in Perforce. I put each object in their own file under Work_In_Progress to easily pull into engine.

Cannon Project Part 2 – Creating High Resolution Geometry in Maya (Up Resing our model)

 

Final shots of high res model in ZBrush. Had to divide the bombs and metal parts of the cannon to achieve the right amount of smoothness.

UV's in Maya before creating high res model.

Week 09 - Initial Block Out - 'F' Stage

 

For the Medusa project, I created a total of 14 assets to be populated throughout the entire area. Each object is around 4,000-15,000 tris in total. Manny model is off to the side to show scale. Image included at the end to show proof of submission through Perforce.

Cannon Project Part 1 – Creating Proxy Geometry in Maya And Push Results Into Unreal

Final Render in Unreal Engine 5

Reference

Wireframe

Ambient Occlusion

Week 07 - Let’s Make It Stick

Medusa environment in Cricut being layout to be turned into stickers. I created four in total to give out to Nick, Cheryl, and Nitin.

Final Result after printing.

Module 2 Week 07 (Simple Crate and Barrel)

Final solo render of Wayfinder Dragon chest.

Turnaround of chest in Unreal Engine 5.

What textures look like in Substance Painter.

Textures imported in from Substance Painter and connected to material.

Animation State Machines

I imported assets from Mixamo. Three of them were animations of an idle, run, and dance I used for the previous tech art assignment. 

I made an animation state machine starting with the idle to walk, run, and dance back to idle.

I reincorporated blueprints used as a layout for my own animation state machine. I made sure to add logic so that movement would know when to switch. I would press left shift to run and the E key would trigger the dance sequence when pressed.

These were all the files used to create the animation state machine.

Last step I did was to name the GameMode to what the blueprint of the Mixamo character created for the animation state machine.

Proof of submission through Perforce.

Week 06 - Use of Composition

 Final composition of Medusa environment of the exterior entrance to her garden/shop. Followed rule of thirds for composition layout.